This Japanese director has accumulated a cult following for his ultra violent, absurd, and uncomfortable style of filmmaking. He currently has 76 (I can hardly believe this one myself) films under his directorial belt, averaging at almost five films per year.
These aren't merely home-movies either. These are full-length feature films.
His most notable films in the West are, debatably, "Audition," "Visitor Q," and "Ichi the Killer." Each are special for their unique style and direction, but they are also extremely violent. These are highly recommended if you can stomach the ride, but do pay heed to my warnings.
According to Wikipedia, "Ichi the Killer" had 15 minutes cut out of the Honk Kong version and was banned by Britain for its high levels of violence against women. Currently, the US has the full uncut version available as an unrated DVD.
For a (slightly) more light-hearted flick, check out "The Happiness of the Katakuri's." This musical zombie film tells the story of the Katakuri family, who buy a guest house in the country. As their guests start dying by accident and murder, they bury them in order to salvage their business and the hilarity ensues.
At present, I'm looking forward to Miike's 2008 release of "Sukiyaki Western Django," a remake of the 1966 spaghetti western "Django." It's colorful, it's violent, and it's got a cameo by Quentin Tarantino. Perfection.
Watch the trailer and let me know what you think. Sometimes I think I'm crazy for liking this sort of stuff, but who knows, maybe you just might like it too.
2 comments:
First off, clever title for your blog. Second, that does seem like a very entertaining movie. Does Blockbuster have it? Third, I still think you should see Densha Otoko (Train Man). It's not action or zombie-filled, but it's a really great story about the transformation of this young man from an otaku to a presentable, personable guy. Also, it's super funny if you understand Japanese humor, which it seems you do.
Hey Matt, Morgan Library's got a pretty decent book about Miike and a few of his legendary predecessors titled "Outlaw Masters of Japanese Film," by D. Chris. I'd recommend checking it out, even if it assumes a pretty high level of familiarity with a lot of obscure directors.
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